van helsing season 2 episode 1 dylan burn

Van helsing season 2 episode 1 dylan burn skin#
Van helsing season 2 episode 1 dylan burn series#
Van helsing season 2 episode 1 dylan burn tv#

Van helsing season 2 episode 1 dylan burn series#

She has lent her chops to many animated series such as Scooby-Doo! Mystery Incorporated and Green Lantern: First Flight as well as doing voice work for various big video games like Spider-Man: Web of Shadows, Halo 3: ODST, Mass Effect 2, Mass Effect 3, and Mortal Kombat X.

Van helsing season 2 episode 1 dylan burn tv#

Tricia Helfer’s diverse resume didn’t just allow her to only pick up roles on various TV series, no, she also made a handful of TV movies which include Mistletoe Over Manhattan, 17 th Precinct, Dangerous Intuition, and Finding Christmas.īelieve it or not, Helfer also has a strong resume when it comes to voice acting. Tricia Helfer as Molly Parker in Killer Women In 2014 she played Molly Parker on the series Killer Women. She starred in the pilot for Human Target (didn’t get picked up), Dark Blue with Dylan McDermott that lasted two seasons, and more guest-starring roles in series such as Lie To Me, The Whole Truth, No Ordinary Family and a few episodes on the hit Two and a Half Men. It was a juicy role that Helfer played with delight.įrom there, Helfer found herself in various other guest-starring roles. She grabbed a great role on the series Burn Notice, playing Carla Baxter who, in fact, was behind the burn notice given to series star Jeffrey Donovan (Michael) so she could get him to do her dirty work. Tricia Helfer began to pull in parts on many, many notable TV series. She made a name for herself on BSG but her ability to jump into diverse roles made her quite the star on the small screen. The popularity of the reimagined Battlestar Galactica and the simple fact that Helfer was sizzling hot in it allowed for her to expand her roles. The mini-series came first and with such a positive reaction to it, Battlestar Galactica was then brought back as a series with Helfer reprising her role as the wonderfully seductive Number Six and appearing in each of the four seasons and 73 episodes. She soon put herself on the map as she starred in the role she’s probably most known for, Number Six on Battlestar Galactica. Her big start came early on in her career after Helfer appeared in a couple of TV series ( Jeremiah and CSI: Crime Scene Investigation). Canadian-born, the 5’10” tall Helfer Helfer began her career as a Canadian cover girl model, then turned her eye toward acting and hasn’t looked back. Since breaking into Hollywood back in 2000, the talented and extremely easy on the eyes Tricia Helfer has built herself a nice resume. TRICIA HELFER STARRED ON BATTLESTAR GALACTICA

Van helsing season 2 episode 1 dylan burn skin#

Including the above post in which she laments about the lack of mascara, there are others in which she is sharing different beauty products as well.Īnd the actress didn’t shy away from showing some skin either with a bikini shot over the summer. She has more than one million followers on the social media platform and there’s plenty of engagement in that respect. The film was directed and written by Jacob Johnston ('The Look-See,' 'Sunny Family Cult'), making his feature directorial and screenwriting debut.Tricia Helfer does share a fair bit of her life on Instagram, putting up videos and pics of a variety of different situations. The director talked about the alienness of the world to some of the audience– an alienness that hopefully won't last.ĭreamcatcher stars Niki Koss ('Famous in Love,' My Stepdaughter), Zachary Gordon ( Diary of a Wimpy Kid franchise, 'Good Trouble'), Lou Ferrigno Jr. ('S.W.A.T.,' '9-1-1'), Travis Burns ('Neighbours,' Sunrise in Heaven), Nazanin Mandi ('How to Make a Reality Star'), Adrienne Wilkinson ('Star Trek: Renegades,' 'Xena: Warrior Princess'), Blaine Kern III ( The Perfect Date, Happy Death Day franchise) Olivia Sui ( 'Smosh,' 'The Big What If'), Emrhys Cooper ( Mamma Mia!, Person of Interest) and Elizabeth Posey ('Euphoria'). There's a curious, unexpected strangeness to the setting that the director discussed: in the middle of a pandemic, when gathering in indoor spaces is heavily curtailed, the film's pulsing, EDM-fueled club scene may as well be aboard the Starship Enterprise. Johnston writes, 'I knew two specific things going into the writing process: 1) I didn't want throwaway, cannon-fodder characters and 2) thematically, I wanted to explore the effects of trauma and the various forms it can take.' The director talked about his basic model for creating the characters to be found in a slasher– his model was The Breakfast Club, with each of the young people delineated and represented different social groups– so that when they start to get picked off by the film's Spy-vs-Spy-nosed killer.